Monday, January 29, 2018

(Glass) Art imitating life


From the time of the rock artists of Arnhem Land, the natural world has always inspired artists, including glass artists.

Mauro Vianello - Artist-in-Residence at the 2018 Festival of Glass - is a world respected glass artist and teacher because of his extraordinary skill in creating glass replicas of animals and plants, especially marine creatures.
Mauro Vianello Two jellyfish

Mauro’s work draws on that of Leopold Blaschka (27 May 1822 – 3 July 1895) and his son Rudolf Blaschka (17 June 1857 – 1 May 1939). Glass artists from Dresden, Germany, they were renowned for producing glass models of plants and sea creatures.

Generations of Blaschkas had made a range of glass items since the Sixteenth Century, including eyes, jewellery and scientific equipment. In his spare time, Leopold Blaschka made glass models of plants and when Prince Camille de Rohan of Prague saw them in 1860, he commissioned 100 glass orchids.

Leopold Blaschka Sea Anemone
When Dresden natural history museum director Professor Ludwig Reichenbach, saw the Blascha orchids, he realised that glass could be the key to showcasing marine invertebrates (creatures lacking a backbone). In 1863, Reichenbach commissioned Leopold Blascha to produce twelve model sea anemones. The resulting models were a great improvement on those used previously to present such creatures.

At the time, while durable specimens of vertebrates (animals with backbones) could be created by stuffing and mounting them, the only way to showcase invertebrates was to place a live specimen in a sealed jar of alcohol. Eventually, however, these specimens degenerated into little more than colourless blobs of jelly. Consequently, biologists used drawings, pressings, photographs or models in wax or papier maché to represent marine invertebrates, each with its own drawbacks.

Finding success
On Professor Reichenbach’s advice, Leopold closed the family business and established a mail-order business, selling glass marine invertebrates to museums, aquaria, universities and private collectors. The business was a great success.
Blaschka Tubularia indivisa

In1880, Leopold and Rudolf produced hundreds of glass models of sea creatures for the Boston Society of Natural History Museum (now the Museum of Science) and Harvard’s Museum of Comparative Zoology. In 1886, Professor George Lincoln Goodale asked Leopold and Rudolf to make a series of glass botanical models for the Harvard Botanical Museum that he was establishing; and in 1887, the Blaschkas signed an exclusive ten-year contract with Harvard to make around 4,400 glass models. When Leopold died in 1895, Rudolf worked alone until he retired in 1938.

The Blaschkas pioneered many techniques and formulas and experimented with glues, colours and glass. However, neither Leopold nor Rudolph employed an apprentice and Rudolf left no successor. Consequently, some of their techniques and formulas disappeared when they died, making it hard to repair and preserve these intricate antiquities. Even simple cleaning can have devastating effects on the glue and colour.


Featured Festival of Glass sponsor: Drysdale, Clifton Springs and Curlewis Association Inc.

Members of the Drysdale, Clifton Springs and Curlewis Association (DCSCA) live, work or study in the Drysdale, Clifton Springs and Curlewis areas and they aim to improve local people’s well-being and to improve the natural, social and built environments. DCSCA members meet regularly to discuss how the local community is changing; to work with other local groups and organisations to shape the area’s future; and to represent local people's ideas and opinions to outside organisations.

In 2011, DCSCA initiated the annual Festival of Glass to link the area with a major cultural/social event; and it established a Festival of Glass sub-committee to run the event. DCSCA's intention is for the Festival to offer a new and unique showcase to local glass artists, craftspeople and companies; encourage others to establish themselves in the area; and encourage local glass companies, artists and craftspeople to collaborate.

Contacts:
P.O. Box 581, Drysdale Vic 3222


Featured Festival of Glass sponsor: Glass Fusing
The Festival of Glass committee is very grateful for the support it receives from the Glass Fusing company. Glass artists Ashley Williamson and Bec Schaefer established Glass Fusing because, as they put it, “We decided to sell glass supplies and raw materials because we got tired of having to buy so many of our supplies from overseas, incurring significant freight costs, simply because the products were not available locally at reasonable prices”.

Glass Fusing sells a range of supplies for glass artists doing fusing (of course!), slumping and casting; as well as tools, kilns, findings, books and magazines. The company holds a range of System 96 glass, made by the Spectrum Glass Company and Uroboros Glass. Ashley and Bec have found that, in general, System 96 glass cuts well, fuses well, and tolerates multiple firings without devitrifying. Glass products in the System 96 collection are extremely stable and consistent, designed and produced to be compatibly both technically and artistically. “We find that System 96 glass gives us a great palette of colours”, they said, “as well as an ever-increasing range, whilst being quite affordable.”

Fusing Glass p/l, 5 Hammond Close, Oxley, ACT, 2903
Tel. 0421 444 291    Web: http://www.glassfusing.com.au/
E-mail: via web site


Thanks to the City of Greater Geelong and the Bendigo Bank, our Awards sponsors, our Treasure Hunt sponsors and other local ‘in kind’ supporters.

Latest Festival news

Blog (you’re here!): http://festivalofglass.blogspot.com

Volunteering at the Festival

Our Friends of the Festival online newsletter gives the latest Festival news, with special emphasis on opportunities to volunteer to help. To become a Friend of the Festival, please send an e-mail to: festivalofglassdrysdale@gmail.com
Put “Festival Friends” in the subject bar and put your name and address in the body of the e-mail. Thanks - we look forward to welcoming you!

No comments:

Post a Comment